Written by Véronique Cyr
A Comparison between "I Stand Here Ironig" and Aurore (movie by Luc Dionne)
The
freedom of speech is a right we have and which is very important in our society.
But it has not always been like that. Many years ago, the important was to live
your life as it was, without asking questions or questioning yourself about what
was going on in your existence. People who were not rich and popular accepted
their fate and did not try to persevere in order to get more. However, it would
have be better for them if they had act rather than stay there doing nothing.
The idea of staying at a place, doing nothing and waiting for things to move is
a concept that is portrayed in many plays, movies, novels and stories. That is
the case in the short story “I Stand Here Ironing” written by Tillie Olsen
and in the movie “Aurore” produced by Luc Dionne, which is a true story. In
these stories, the two girls, Aurore and Emilie, could have had their lives
changed if people next to them, Aurore’s father and Emilie’s mother, had
reacted. Furthermore, the symbol of an iron is very meaningful in both stories.
It represents the silence, the unwillingness and the desire for things to stay
the same. The following text will compare the similarities between the short
story “I Stand Here Ironing” and the movie “Aurore”.
First of all, in order to fully understand the characters of both the movie
“Aurore” and the short story “I Stand Here Ironing”, we should first
understand the society in which they are living. The term meritocracy means that
what people reach in their lives is due to their personal merit rather than on
their class, race gender or families’ connection. It suggests that the more a
human being do well in society, the more he/she will rise to the top of the
hierarchy. “I Stand Here Ironing” relates the story of a working-class
mother whose position has affected relations with her daughter, Emily. The
author, Tillie Olsen, demonstrates well how the mother’s life choices were
determined by where she was ranked in the class system. At this time, women did
not have many existential choices. They could not touch children nor show love.
In this story, the mother stands in her house, ironing clothes instead of making
things moving for her daughter to have a better life. The action of ironing is
very important in this story because when you are ironing, you are not moving or
doing something that will help you to go forward. Here, ironing is the action of
thinking about what the mother can do to improve her daughter’s life, but not
doing it because she is too busy to make the dress she is ironing well done. At
the beginning of the story, Emily’s teacher sends a letter to her mother
telling her that they should meet in order to help Emily and to maybe improve
her future quality of life. Emlily’s mother thinks about what her life as well
as Emily’s look like while ironing a dress: “I stand here ironing, and what
you asked me moves tormented back and forth with the iron” (Fiction 100,
1103).
It is similar to
people in the village of Aurore think. They stand in their houses, tormented by
what they saw or heard, thinking about what they could do to change it, or about
what they will never do. We all know, because this story is past and true, that
Aurore had a tragic ending because people did not react, did not talk, and did
not stand up to make her suffering stop. At the end of the story “I Stand Here
Ironing”, the problem is not resolved because the mother is still ironing and
thinking about her daughter’s future life. Readers don’t know if she will
stand up and act for things to move. One thing is sure, if she decides not to
talk to the teacher, it will also cause the end of her daughter. The mother had
the extraordinary chance to act, to work hard for her daughter, for her to have
her quality of life changed and then, have a higher place in the class system
hierarchy.
In the movie “Aurore”, the working-class is also showed. First of all, it is
by the father, Telesphore, and also by his wife performing the typical work of
women which was cleaning the house, taking care of the children and feed the man
of the house. In this true story, the system hierarchy is very well represented.
At the top, you had the Church, then you had people who had respectable careers,
like people who had stores, and at the bottom, there was the working-class. The
father of the poor Aurore was working hard in order to feed the family, so hard
indeed, that he did not see that his own daughter was dying. He saw at few times
that Aurore was in a very bad mood and that her body was covered in injuries,
but he stands there, doing nothing except working. This is also the case of the
village in which they are living. They all knew that this poor little girl was
beaten by her step-mother but did not say anything and it leads to a
continuation of injustice. In the movie, we saw at few occasions, Telesphore
working in his garage with an iron in his big pliers. The iron is very red
because he is planning to change its form. Again, instead of doing something for
his daughter, he prefers to stand in his garage, ironing. The step-mother also
burns Aurore with an iron during a whole day. It shows that she is burning the
little girl to let go her frustrations. Rather than trying to solve the
misunderstands she has with Aurore, she wants to burn them. Since ironing is a
symbol of the entrapment of the role of women at home, it is a huge symbol to
use an iron to burn Aurore, it shows her desire to follow the typical work of
women and to make things correct even if it’s not. The step-mother wanted
things to stay the same. She did not want a girl who would not respect her
orders and this is what pushed her to make Aurore silent. In this story, it is
quite different because there are many people who could react and do something
to save Aurore’s life. First, there is the Aurore’s father who could react
and see that his girl needs help. He prefers to keep his new wife at his side,
to clean the house and feed him rather than to change the martyrdom of Aurore.
Secondly, there were people in the village who could react and talk about it. At
this time, the Church, which had a better place in the class system hierarchy,
had answers to all questions and that is also why people did not talk. “On
va encore se fermer les yeux? Ça ne nous regarde pas! Ya un curé icitte,
c’est à lui de voir à ses affaires là” (Aurore, 2005). Again,
the ranking class in society lead the protagonist of the movie to an end.
To conclude, there are
many similarities between the short story and the movie. The silence, the
unwillingness and the desire for things to stay the same is something that both
stories have in common and the authors used the symbol of an iron to interpret
to these themes. When there are possibilities to react and talk in order to
improve something, people should always do it. It is very important to help each
other and speak freely for the injustice to stop.
Works
Cited
Dionne,
Luc. Aurore. Prod.: Denise Robert, Louis Daniel. Atlantis Viva Film. 2005.
Pickering, James H. (Ed). Fiction 100: An Anthropology of Short Fiction, 10th ed. New Jersey: Person Education, 2004.